Waitress is a musical with music and lyrics by Sara Bareilles and a book by Jessie Nelson. The musical is based on the 2007 film of the same name, written by Adrienne Shelly. It tells the story of Jenna Hunterson, a waitress in an abusive relationship with her husband Earl. When Jenna unexpectedly becomes pregnant, she begins an affair with her gynecologist, Dr. Jim Pomatter. Looking for ways out, she sees a pie contest and its grand prize as her chance.
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Stage rights to the film were purchased in 2007, and the musical's creative team was assembled by 2013. The original production of Waitress premiered at the American Repertory Theater in Cambridge, Massachusetts in August 2015, with direction by Diane Paulus and starring Jessie Mueller as Jenna. It made its Broadway debut at the Brooks Atkinson Theatre in April 2016. A U.S. national tour began in October 2017. In 2019, the musical opened at the Adelphi Theatre in London's West End.
Background[edit]
The musical is based on the 2007 indie film[1]Waitress.[2] The film was produced on a budget of just $1.5 million, earning over $23 million in global box office receipts.[3] The film starred Keri Russell, and was written and directed by Adrienne Shelly. The film follows Jenna, a waitress and pie chef living in the American South, who unexpectedly becomes pregnant and feels trapped in an unhappy marriage.[4] Looking for a way out, she sees a pie contest and its grand prize as her chance.[5]
Following the 2013 Tony Awards, producers Barry and Fran Weissler announced that a musical version of the film was in the works,[6] with Paula Vogel writing the book, Sara Bareilles writing the music and lyrics, and direction by Diane Paulus.[7] The Weisslers purchased the stage rights to the film shortly after its release in 2007.[8] Paula Vogel withdrew from the project in January 2014.[9] On December 11, 2014, the musical was officially confirmed, and it was announced that the show would receive its world premiere at the American Repertory Theater in Cambridge, Massachusetts, as part of their 2015–2016 season, with Jessie Nelson now writing the book.[10][11] A workshop was held the same month in New York City, with Jessie Mueller, Keala Settle, Christopher Fitzgerald, Bryce Pinkham and Andy Karl, among others, taking part.[12] Nelson, with the blessing of the late Adrienne Shelly's husband, used some of Shelly's unfinished scripts to help bring 'her voice' to the project.[13]
Productions[edit]
Waitress Musical Libretto Pdf FreeCambridge (2015)[edit]
Waitress began previews at the American Repertory Theater in Cambridge, Massachusetts, on August 2, 2015, before the official opening on August 19, 2015, for a limited run to September 27, 2015.[14][15] Tickets for the production sold out.[16] The show was directed by Diane Paulus,[17] with choreography by Chase Brock,[18] set design by Scott Pask, costume design by Suttirat Anne Larlarb, lighting design by Kenneth Posner, musical direction by Nadia DiGiallonardo, and sound by Jonathan Deans.[19] The cast featured Jessie Mueller as Jenna, Drew Gehling as Jim, Joe Tippett as Earl, Jeanna de Waal as Dawn, Keala Settle as Becky, Dakin Matthews as Joe, Jeremy Morse as Ogie, and Eric Anderson as Cal.[20]
Broadway (2016–2020)[edit]
Broadway previews began on March 25, 2016 at the Brooks Atkinson Theatre, with the official opening on April 24,[21] just in time for the April 28 Tony Award cut-off date.[22]Lorin Latarro replaced Brock as choreographer[23] and Christopher Akerlind replaced Posner as lighting designer.[24] For the Broadway production, elements of the book were rewritten, new choreography developed, and a new song written by Bareilles.[8] Manhattan baker Stacy Donnelly and small business owner Dawn Mayo of Everythingdawn Bakery Candles & Treats were hired to ensure that the baking scenes were realistic. Donnelly taught the cast how to work and roll pie dough, as the role of Jenna required Mueller to crack eggs, sift flour and roll out dough on stage. Mayo created all of the prop pies used in the show.[25]
To help immerse audiences, real pies are warming as they enter the theater, creating the aroma of a pie shop; slices of pie are for sale.[26] Cast changes included Nick Cordero taking over the role of Earl,[27]Kimiko Glenn as Dawn, and Christopher Fitzgerald, who took part in the New York workshop, as Ogie.[28] During previews, the production set a new box office record for a single performance at the Brooks Atkinson Theatre, taking in $145,532.[29] The production had required an initial investment of $12 million.[8] During a technical halt at a preview performance, composer and lyricist Sara Bareilles performed two songs, including 'Down at the Diner', previously cut from the production.[30]
Waitress made history on Broadway with the four top creative spots in a show being filled by women (Bareilles, Nelson, Latarro, and Paulus).[31] In addition, the costume designer and musical director were women.[24] Bareilles said she was proud to be part of an all-female team: 'It's really fun to be an example of the way it can look. We're a bunch of women who are deeply committed to finding a way to build a unified vision.'[32] Only the 1978 Broadway musical Runaways had a similar history, with book, music, lyrics, choreography and direction all by Elizabeth Swados.[24]
The production is scheduled to close on January 5, 2020, after 33 previews and 1,544 regular performances.[21]
U.S. National Tours (2017–present)[edit]
A U.S. national tour began at Playhouse Square in Cleveland on October 20, 2017.[33] This production closed on August 18, 2019 and a Non-Equity tour will open on November 12, 2019 and continue through June 14, 2020. [34]
Philippines (2018)[edit]
The first international production, produced by Atlantis Theatrical, debuted in November 2018 at the Carlos P. Romulo Auditorium featuring Joanna Ampil as Jenna.[35]
West End (2019–present)[edit]
The production debuted in London's West End on February 8, 2019 (previews) at the Adelphi Theatre and featured Katharine McPhee as Jenna, who had previously played the role on Broadway, and Jack McBrayer as Ogie.[36][37][38]
Buenos Aires (2019)[edit]
This production debuted in Buenos Aires at the Metropolitan Sura Theatre on April 17, 2019 and featured Josefina Scaglione, Tony award nominee for the 2009 West Side Story Broadway revival, as Jenna (locally translated to Gina). It was the first official Spanish production.[39] The production closed on August 4, 2019.[40]
Australia (2020)[edit]
On 14 June 2018, the Gordon Frost Organisation announced that a production of Waitress will open in early 2020 at the Lyric Theatre in Sydney. Casting and further dates are to be announced.[41]
Synopsis[edit]Act I[edit]
Jenna is a waitress and expert pie baker at Joe's Diner in the American South who imagines tough situations as pie ingredients ('What's Inside'). She begins another day at the diner with her boss Cal and waitresses Becky and Dawn ('Opening Up'). After she almost throws up, Becky and Dawn convince her to take a pregnancy test which, to Jenna's dismay, comes back positive due to a drunken night with her abusive husband, Earl ('The Negative'). Earl comes to the diner and suggests he may make Jenna quit and give up her passion for baking. He takes her the tips she's earned from working so far that day. She decides not to tell him about the pregnancy and recalls her late mother, who also found solace from an unhappy marriage in baking ('What Baking Can Do').
At her OB/GYN's office, Jenna is taunted by other pregnant women ('Club Knocked Up') and meets Dr. Jim Pomatter, a new doctor from Connecticut. Jenna explains she does not want her baby but is going to keep it, and leaves Dr. Pomatter with a Mermaid Marshmallow pie, which, despite the fact that he is off sugar, he eats and loves it ('Pomatter Pie').
Word of Jenna's pregnancy reaches Joe, the diner's curmudgeonly owner, who suggests she enter a local pie-baking contest with a large reward which would allow her to leave her husband. Dawn has turned to online dating but is terrified of what could happen ('When He Sees Me').
Jenna runs into Dr. Pomatter at the bus stop. He compliments her pie, saying it could 'win contests and ribbons and things'. ('It Only Takes a Taste'). Jenna arrives home to learn Earl has been fired. He berates her, and his anger almost turns physical until she confesses she is pregnant. He makes her promise not to love the baby more than him ('You Will Still Be Mine'). Jenna tells Dawn and Becky her plan to enter the pie contest and use the winnings to leave Earl for a new life with the baby. The three waitresses see their dreams of a better life within reach ('A Soft Place to Land'). Jenna begins to give Earl only half her earnings, hiding the other half around the house in order to save up for entering the pie content.
Dawn's date Ogie visits the diner and insists he get to know Dawn better ('Never Ever Getting Rid Of Me'). Dawn and Ogie realize they both enjoy American Revolutionreenactments and how much they have in common. Jenna makes an appointment with Dr. Pomatter, where she impulsively kisses him. Though both are married, they decide to escape their frustrating lives, and have sex in his office ('Bad Idea').
Act II[edit]
After her tryst, Jenna discovers Becky and Cal making out at the diner. The married Becky is unashamed of giving in to passion ('I Didn't Plan It'). Jenna and Dr. Pomatter continue their affair, as do Becky and Cal, and Dawn and Ogie ('Bad Idea (Reprise)'). Jenna wonders if their affair is a mistake, but Dr. Pomatter reassures her ('You Matter To Me'). She begins writing a mental note to her baby.
Several months pass and Dawn and Ogie marry ('I Love You Like a Table'). At the reception, Jenna asks if Cal, despite his affair, is truly happy; he responds that he is 'happy enough.' Joe tells Jenna his sincere hopes for her ('Take it From an Old Man'). Earl drags Jenna home and uncovers the money she has been hiding. She meekly tells him she has been saving for the baby, but Earl leaves with the money ('Dear Baby'). Jenna breaks down, lamenting her long-lost control over her life ('She Used To Be Mine').
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Jenna goes into labor ('Contraction Ballet'). She sees Joe at the hospital on his way to surgery; knowing he is dying, he gives her an envelope to open later. Earl, Becky and Dawn, and even Dr. Pomatter's wife, who is a resident at the hospital, crowd the delivery room, and Jenna cries out in distress, giving birth in darkness. She names her daughter Lulu. Earl reminds her of her promise not to love Lulu more than him, and Jenna finally tells him she wants a divorce. He reacts poorly, and she vows to run him over if she ever sees him again. Dr. Pomatter visits Jenna alone in her room, but Jenna refuses his kiss. Saying she doesn't want to remain 'happy enough', she ends the affair. As thanks for his positive impact on her life, she gives him a moon pie. Jenna remarks on her change in outlook with Lulu in her life ('Everything Changes').
Jenna opens Joe's note to discover he has left her the diner, asking her to name a pie after him. A few years later, the diner has been rechristened 'Lulu's Pies' and Jenna, the owner and head chef, is content that her life has finally turned around ('Opening Up (Finale)').
Music[edit]
Waitress features an original score, with music and lyrics by American singer-songwriter Sara Bareilles.[42] The musical uses a six-member orchestra consisting of keyboard, piano, cello, guitar, bass and drums.[43] In addition to the show's musical numbers, Bareilles also recorded the 'turn off your cellphone' message, rewriting part of her original song 'Cassiopeia'.[44]
Musical numbers[edit]
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† Not included on Original Broadway Playbill.
*Not included on Original Broadway Cast Recording.
Recordings[edit]
Bareilles recorded her fifth studio album, What's Inside: Songs from Waitress, featuring songs from the musical. It was released through Epic Records on November 6, 2015.[46] The album debuted at number ten on the U.S. Billboard 200 chart with 30,000 equivalent album units in its first week of release, giving Barellies her fifth top-ten album.[47] The lead single from the album, 'She Used to Be Mine', was released digitally on September 25, 2015.[48] Speaking about the release of the album, Bareilles stated that her decision to record an album of the songs came because it 'proved impossible for me to imagine handing over the songs to the show before selfishly finding a way to sing them myself.'[49]
The original Broadway cast recording was released as a digital download on June 3, and the physical release followed on July 1, 2016.[50] The album was produced by Bareilles with Neal Avron, and recorded by DMI Soundtracks.[51]
Track listing[edit]
Casts[edit]
The characters and casts:
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Notable Broadway replacements[edit]
Waitress Musical Libretto Pdf PrintableNotable West End replacements[edit]
Critical response[edit]
The show garnered generally mixed-to-positive reviews in both runs. Frank Rizzo, reviewing the Boston production for Variety, wrote: '..making Earl so relentlessly horrible makes Jenna's inability to leave him not just indecisive but something more worrisome.. Meanwhile, there's little evidence for the good doctor being Jenna's lost soulmate, despite his loving bedside manner,.. Mueller's performance transcends the show's imperfections. She's funny, frisky and likable. She sings Bareilles' songs beautifully.. director Diane Paulus fills the production with clever touches – a scalloped pie-crust proscenium, a fluid and easygoing flow and a natural truthfulness in the performances.'[58]
For the Broadway production, many critics found Bareilles' score and Mueller's performance to be the highlights of the show. Charles Isherwood of The New York Times gave a mixed review of the show, but called Mueller's performance 'a high point of the Broadway season'.[59]Time Out New York gave the production four stars and said '..Waitress has an excellent ratio of sweet to tart; supporting characters who provide crustiness (Dakin Matthews's grumbly store owner) and flakiness (Christopher Fitzgerald's loony admirer of another waitress); and cooked-to-perfection staging by Diane Paulus. The whole dish is—please forgive me—love at first bite.'[60] David Rooney of The Hollywood Reporter said '..the material is anchored at every step by Bareilles' melodious pop score and Mueller's supremely natural performance as Jenna. While the stock characters that surround her may be familiar, they're a winsome bunch played by sterling performers..'[61]
Awards and nominations[edit]
References[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Waitress_(musical)&oldid=919465169'
Synopsis
Waitress, based on the 2007 movie of the same title, follows the story of Jenna, a woman who is pregnant without any desire to be, trapped in an abusive relationship in a small town with no hope for a future outside of fear and false positivity. She escapes from her trauma through the baking of pies, creations of her own that she names after their uniquely combined themed ingredients and the events that inspired them, and recipes of her mother’s that once instructed her own baking. She sells her goods at Joe’s Pie Diner, where she’s also a waitress, and this job and the friends she has there exist as her only world outside her husband. The two other waitresses at the diner, Becky and Dawn, are Jenna’s best friends and closest confidantes, women with their own nuances and quirks, but like Jenna, harboring fantasies of better love than they’ve seen and lives that aren’t so sheltered and full of drudgery. Dell command update download windows 7. When Jenna meets her new male gynecologist and sparks of lust start to fly between them, she’s forced to face up to all the things inside her that are hurting, and take action to change them. What begins as a story of a romantic love that helps to free Jenna from all the things chaining her to a miserable life becomes a story of love in so many other contexts. Jenna finds her happiness by accepting the kinds of love she truly deserves, especially the love that will be there for her the longest, and rejecting those who compromise her potential to feel powerful in her own life.
Beyond anything else, Waitress is truly a story about women. The three waitresses work hard to inspire each other as they follow their own individual paths to create their own joys in a world that doesn’t often cater to them. Becky and Dawn are stubbornly insistent that Jenna leave her abusive husband, taking care of her in ways that markedly demonstrate the undeniable bonds of women in times of hardship. Jenna and Becky look out for Dawn as she takes her first tentative steps into dating and falling in love, and Dawn and Jenna don’t shy away from trying to soften some of Becky’s sharp edges. With the support of one another, an unquestionable team built on deep love and validation, all three are able to confidently conquer obstacles that otherwise may have never been addressed. It is this simplicity and sincerity of the bonds of love and friendship between women that makes Waitress a truly special undertaking. Created and written by a team of all women, the show is unapologetically feminist in its discussion of the reality of the lives of everyday women in American society. With the spellbindingly intricate harmonies of Sara Bareilles’ compositions, reminiscent of retro radio songstresses and rural American music stylings, Waitress is atmospherically complex while reflecting a refreshingly honest vision of the typical small southern American town. This touching and earnest musical presents a tender and layered plot while seeking to analyze the various kinds of labor that so many women perform on a daily basis without credit, from the emotional to the physical. Within this core idealism, we learn from all the characters what it truly looks like when you ‘make the best of what you have’ while still remembering and valuing your own worth. Delicately and with eternal charm, Waitress reminds its audience that the right to make free choices should not be eclipsed by the needs of anyone else, and when one’s own goals are allowed to shine outright, we can all find true happiness in the simplest and most rewarding ways.
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